X: 1 T:Ashford Assembly, the R:jig M:6/8 L:1/8 K:G B | "Em" e2 B G2 B | "D" AGF "Em" E2 F | "G" G2 G GFG | "D" A3-A2 B | "E m" e2 B g2 B |! "Am" c2 B A2 B | "C" c2 c cBc | "G" d2 B A2 G | "D" F2 F FEF | "Em" G3-G 2 :||! G | "D" F2 F FGA | "G" G2 D G2 B | "Am"A2 A ABc | "G" B2 G B2 d | "C" c 2 c cde |! "D" d3 d2 d | "Em" g2 d B2 d | "D" cBA "Em" G2 E | "D" F2 F FEF | "Em" G3 G2 :|| X: 2 T:Adson's Sarabande M:4/4 L:1/8 Q:80 K:F "F"agfe f2 c2 |"Bb" defg "C"e2 ag |"Dm" fe d2 "C"d3 c |"Dm" d6 A2 |"Bb" d2 e2"F" f3 f | "Gm" g2 a2 _b3 _b |! "F" ag f2 "C"e3 d |"Dm" d6 z2 ||"C" c2 de "Dm"f3 A |"Gm" Bc d2 "C"c3 c | "Bb" de f2 "Gm"e3 f |! "C" g6 a | "Gm" _b3 a g3 f |"C" e3 d c3 c |"Bb" de f2 "C"e3 f |"F" f6 z 2 || X: 3 T:Parson's Farewell M:2/4 L:1/16 Q:120 K:F "Dm" f2 d2 d2 ef |"C" g2 c2 c3 c | "Bb"de f2 e2 d2 | "F"c2 A2 A4 |"Dm" f 2 d2 d2 ef |! "C"g2 c2 c3 c |"Bb" de f2 e2 d2 | "F"c2 A2 A2 |: a2 | "Dm" f4 f2 a2 |"F " f4 f2 a2 | "Dm"fg a2 "F"fg a2 |! "C"g2 e2 e4 | "C"ef g2 ef g2 | "Dm"f2 d2 "Bb"defg | "F"a2 gf "C"ed e2 | "Dm"d6 :|| X: 4 T:Parting Lovers, the M:6/8 K:G G2 B A2 c | B2 d c2 e | def gfe | dcB AGF | G2 B A2 c | B2 d c2 e | dcB AGF | G3 G3 :| g2 e f2 d | g2 e f2 d | gfe agf | efd ^cBA | g2 e f2 d | g2 e f2 d |egf ed^c | d3 d3 | G2 B A2 c | B2 d c2 e | def gfe | dcB AGF | G2 B A2 c | B2 d c2 e |dcB AGF | G3 G3 || X: 5 T:Cuckolds All In a Row (C) M:6/8 L:1/8 K:C z | "G"d2d d2c | B2c d2 G |"Dm" A2 A "G7"BAB |"C" c3-c2 z | "G" d2d "D7" d2c | "G" B2 c d2 G | "F" A2 A "G7" B>AB | "C" c3-c2 || E|"F" F>GF "C"E >FE | "G"D2 D BAB |"C" c2 G "F"A G2 |"C" E3 CDE |"F" F>GF "C"E>FE | "G" D2 D "G7"BAB | "C" c2 G "F" A G2 |"C" E3 C2 :|| X: 6 T:Mr. Cosgill's Delight M:2/4 L:1/16 K:C e4 g4 "C"c'6 c2 | "F"f3g "C"e3f "G"d4 "C"c4 | "C"e4 g4 "G"d4 G4 | "C"c3 d "G"B3c "Am"A4 "G"G4 :| "G"d4 g3f "Am"e4 a3g | "F"f3e "Dm"d3c "G" B3A "C"G3f | "C"e3f g3G "Am"A3B c3g | "F"f3g "C"e3f "G"d4 "C"c4 :|| X: 7 T:Lasses of Portsmouth R:jig M:6/8 K:D "D"a2 f a2 f | "D"ded f3 | "G"g2 f g2 f | "A"efd cBA | "D"a2 f "D"a2 f | "D"ded "D"f3 | "Em"egf "A"edc | "D"d3 "D"d3 :||: "A"e2 e "D"f2 d | "Bm"cdB "D"A3 | "D"dAd "D"fdf | "D" a2 f "D"d3 | "A"e2 e "D"f2 d | "Bm"cdB "D"A3 | "Bm"Bcd "A"edc | "D"d6 :|| X: 8 T:Amarillis R:AB AB C:Duple Minor Longways M:4/4 L:1/8 Q:264 K:G "G"d3 c B2 AG | "D"A2 D2 "G"G4 | "G"dedc "G"BABG | "D"A2 D2 "G"G4 :|! "D"A3 B "Am"c2 B2 | "C"c2 d2 "Em"e3 f | "C"g2 f2 "G"ga f2 | "D"e4 d4 |! "G"g3 f "Em"e2 d2 | "C"ed c2 "G"B3 c | "G"d2 ed "C"cB "D"A2 | "G" (G4G4 ) || X: 9 T:Juice of Barley M:6/8 L:1/8 K:C "Am"A2 A e2 d |"C" efg G2 G |"F" A2 A "C"e2 c |"Dm" A3 "Am"c3 | "F" A2 A "G7"e2 d |! "c"efg G2 G | "Dm"A2 A e2 c | "Am"A3 c3 || "C" c2 c cBc |"G"d2 d dcd | "C"e2 e "F"a2 g |! "C"e3 g3 | "C" c2 c cBc |"G"d2 d def | "C"edc "G"BcB | "Am"A3 e3 :|| X: 10 T:Sellenger's Round, or the Beginning of the World S:5 x A BB dotted quarter = 116 M:6/8 L:1/8 K:C z |"G"G3 "G7"GAB | "C"c3 cde | "Dm"d2 c "G7"BAB | "C"c3 cBA | "G"G2 G "G 7"GAB |! "C"c2 c "Am"cde | "Dm"d2 c "G7"BAB | "C"c3 c2|| d ||"Am"e3 3dc | "Dm"d3 d2 d | "G"Bcd dcB |! "Dm"A3 d2 B | "F"cdc "G7"B2 G | "F"ABc "G7"B2 G | "Am"A2 G "D7"^FEF | "G "G3 G2 :|| X: 11 T:Rufty Tufty O:Playford M:2/2 L:1/4 K:G "D" d2 de | f2 ef | "G" gg f>e | "D" d4 | "Bm" d2 de | "F#m" f2 ef | "Em " gg "A7" f>e | "D" d3 || e/2f/2 | "G" gfed | "D7" dc "G" B>c | "G" dd "Am7" cB | "D7" A2 "G" G e/2f/2 | "G" gfed | "D7" dc "Em" B>c |"G" dd "C " cB | "D7" A2 "G" G2 || "G" B>c dd | "C" ec "G" d2 | "G" B>c dd | "C"ec "G" d B/2c/2 | "G" dd "C" cB | "D" A2 "G" G2 :|| X: 12 T:Argeers T:The Wedding Night S:Playford's Dancing Master H:No convincing explanation has been found for the title. The North H:African territory of Algiers was much in the news in the 1660s. M:C| L:1/8 Q:120 K:D "D" defg "G"e2d2 | "A" c2A2 A4 | a2e2 a3g | "D" f2d2 d4 | "Bm" defg "Em " e2d2 | "A"c3d e2A2 |! "G" Bcd2 "A"cdef | "D" d6 zz :|| "A" cde2 cde2 | a2e2 a2e2 | "A" cde2 cd e2 | a2e2 a2e2 |! "D"a2gf "A7"g2ag|"D"f2ed "A" e3A|"G" Bcde "A7" cdef|"D"d6 z :|| X: 13 T:Daphne R:jig S:D Aeolian H:An early 17th century song retells Ovid's myth of the pursuit of H:Daphne, who was turned into a laurel tree to prevent violation by H:Apollo. Bernini's spectacular sculpture of the moment of Daphne's H:transformation had been created in Tome in 1622-24, the subject being H:popular in baroque art. Apollo was also known as Phoebus. M:6/8 L:1/8 Q:100 W:When Daphne from fair Phoebus did fly The west wind most sweetly did W:blow in her face Her silken scarf scarce shadowed her eyes The God W:cried, O pity! and held her in chace Stay, Nymph, stay, Nymph, cries W:Apollo, tarry and turn thee, Sweet Nymph, stay Lion nor Tiger doth thee W:follow, turn thy fair eyes, and look this way O turn, O pretty sweet, W:and let our red lips meet O pity me, Daphne, pity me, &c. --Chappell K:DAeol D|:"Dm"F2G A2d|"Am"c>de "Dm"d2 A/2B/2|"F"cAF "C"GEC|1 "Dm"DFE D2D:|2 "Dm "DFE D3|| "Dm"f2f "Am"e2e|"Dm"d>ed "F"cA2|"F"c>BA "Gm"G2F|"Dm"FE2 F3|"F"ccd cAF|"F "cd/2e/2f "C"gec|"Dm"A>GF "Am"E2D|"Dm"ddc dAA|"F"c >BA "Gm"GDF|"Am"E>FE "Dm"D3|| X: 14 T:Stanes Morris H: First printed in the "William Ballet Lute Book" (1595). It is not know H:that M:4/4 Q:140 K:Bb d2g2e2^f2|g2 =fe d3e|fgf_e d2 cB|AGAB G4|| Bcde d2 cB|AGAB G4|| B2B2 F2F2|GABc d3e|fgfe d2 cB|AGAB G4|| X: 15 T:Gathering Peascods (A) M:C| L:1/4 K:A z | "A" e2 ee | c>d ee |"D"fedc | "E" B3 c | "A" BA "B7" AG | "A" A3 :| | A | "E" GEGA | B2 cB |"A" A/2B/2 c "B7"BA | "E" G3 G | "F#m" FE "B7" F >E | "E"E3 :|| e |"A" cAA B/2c/2 | "D" d3 d | "A" cAA B/2c/2 | "D" d3 e | "A" cAA B/2c/2 | "D" d>e f e/2d/2 | "A" c d/2c/2 "E7" B>A | "A" A3 :|| X: 16 T:Scotch Cap T:Edinburgh Castle R:jig H:Refers to the Scots bonnet. M:6/8 L:1/8 Q:110 K:DDor "Dm"D2D d2d|"Am"e2d c2A|"G"B2d B2A|1 B3 d3:|2 B3 d2 d/2e/2|| "Dm"f2A A2 d/2e/2|"Dm"f2A A2 d/2e/2|"Dm"f2A A2F|A3 d3|"G"B2B "F"A2F|"G"G 2G d2d| "G"B2B "F"AF2|"C"E3 "Dm"D3| | X: 17 T:New Exchange, The R:Jig, G Dorian H:One of two tunes commemorating a large commercial building built in H:1609 in competition with the Royal Exchange. Because there was another H:tune by this title, it was renamed "The New New Exchange" (1665) and H:"The New Royal Exchange" (1670). M:6/8 L:1/8 Q:100 W:I'll go no more to the New Exchange, there is no room at all It is so W:throng'd and crowded by the gallants of Whitehall But I'll go to the W:Old Exchange, where old things are in fashion For now the Kew's become W:the shop of this blessed Reformation Come, my new Courtiers, what d'ye W:lack? Good consciences? I you do Here's long and wide, the only wear, W:the straight will trouble you K:Gdor D|"Gm"G3/2A/2B/2c/2 "Dm"BA2|"Gm"G3 "Gm"G2G|"F"A>Bc "Gm"cB2|"Dm"A3 "Dm"A2 A|! "F"A>Bc "Gm"d2G| "Dm"FFE "Dm"F2D|"Gm"G3/2A/2B/2c/2 "Dm"BA2|G3 G2|| X: 18 T:New Rigged Ship T:% Nottingham Music Database S:Trad, arr Phil Rowe M:6/8 L:1/8 K:D A|"D"dcd d2f|dcd d2f|"A"ecA Ace|ecA ABc|"D"dcd d2f|! "D"dcd "A"ecA|"G"Bcd "A7"edc|"D"d3 -d2::f/2g/2|"D"a2f a2f|"Bm"ded dfa|"E m"b2g b2g|! "A7"efe efg|"D"a2f a2f|"Bm"def "D"d2f|"A7"ecA ABc|"D"d3 -d2:| X: 19 T:Duke of Kent's Waltz M:3/4 L:1/8 Q:120 K:G "G" gfga g2 | "D" f2 defd | "G" g2 G2 G2 | G4 d2 | "C" e2 e2 f2 | "G" g2 d2 B2 | "Am" c2 c2 B2 | "D" B2 A4 :: "D7" D2 cB c2 | "G" BdcBAG | "D7" D2 cB c2 | "G" BdcBAG | " C" edcdef |! "G" gfedcB | "Am" edcBAG | "D7" FAGFED | "G" GFGABc | "D" d^cde"D7"fd | ! "G" g2 G2 G2 | G4 e2 |"C" ^d2 e2 e2 | "G" ^c2 d2 d2 | "D7" c2 A2 F2 | " G" G6 : X: 20 T:Black Nag, the S:Keller: The Playford Ball M:6/8 L:1/8 K:F |:A | "Dm" ded "C" ede | "Dm" fef "C" efg | "F" agf "C" ede | "Dm" d3 d2 :|! A |"Am" ecA ecA | ecA ecA | "Dm" afd afd | afd afd |! "Am" ecA ecA | ecA "C" e2 f/2g/2 | "F" agf "C" ede | "Dm" d3 d2 :| X: 21 T:Hole in the Wall R:Minuet M:3/2 L:1/8 Q:110 K:Bb "Bb" d3 e de f2 "F" c2 f2 | "Gm" B3 c Bc d2 "Dm" A2 d2 | "Eb" G3 A GA B2 "Bb" F2 d2 | "F7" B6 A2 "Bb" B4 :| "Gm" b3 a ga b2 "Cm" a2 g2 | "D" ^f3 g fg a2 "D7" d2 a2 | "Gm" b3 a ga b 2 "Cm" a2 g2 | "Gm" g6 "D7" ^f2 "Gm" g4 |! "Eb" G3 A GA B2 "F" AB c2 | "Gm" B3 c Bc d2 "F" cd e2 |"Bb" d3 e de f2 "F" F2 f2 | "Cm" d6 "F7" cd "Bb" B4 :| X: 22 T:Money in Both Pockets S:From Sue Dupre M:6/8 L:1/8 K:D A | "D" d2 F FEF | DFA AFD | d2 F FEF | D2 f fef | d2 F FEF | DFA AFD | "A" EFE EFG | "G" BBB B2 :: A | "D" dfa afd | "A" cea ecA | "D" dfa afd | "G" g3 fga | "D" bag agf | ede fdB | "A" ABA AFA | "G" BBB B2:| X: 23 T:York Fusilears R:Reel S:From Sue Dupre M:2/4 L:1/16 K:D "D" D4 F2A2 | d2ef g2e2 | "G" f2d2 c2d2 | "A" edcB AGFE | "D" D4 F2A2 | d2ef g2e2 |! "G" f2d2 "A" cdec | "D" d8 :: "Em" f2e2 e4 | "D" f2a2 a4 | f2a2 f2d2 | " A" edcB ABcd |! "Em" f2e2 e4 | "D" f2a2 a4 | f2a2 f2d2 | "A" e8 :: "D" D2A2 A4 | "G" D2B 2 B4 | "A" A2B2 AGFE|! "D" D2d2 c2d2 | D2A2 A4 | "G" D2B2 B4 | "A" A2B2 AGFE | "D" E4 D4 :: "D " A3G F2d2 |! A3G F2d2 | "G" B2A2 G2F2 | "A" EDEF E4 | "D" A3G F2d2 | A3G F2d2 | "G" B 2ge "A" fdec | "D" d2d2 d4 :| X: 24 T:Dashing White Sergeant R:Reel M:2/4 K:G dB | GFGA GABc | d^cde d2ba | g2e2d2B2 | e2A2 A2dB | GFGA GABc | d^cde d 2b2 | a2g2f2e2 | d6 :|| A2 | d^cde fefg | abaf d2gf | edef gfga | b2e2e2 z2 | f2d2g2e2 | a2f2 b2ab | c'2b2a2g2 | f2e2d2c2 | B2g2 gfga | g2d2d2g2 | e2a2 a^gab | a2e2e2g2 | d2g2 gfga | b2g2g2a2 | b4 a4 | g2g2g2|| X: 25 T:Soldiers' Joy T:% Nottingham Music Database S:Kevin Briggs, via EF M:4/4 L:1/4 K:D P:A F/2G/2|"D"A/2F/2D/2F/2 A/2F/2D/2F/2|"D"Ad "G"dc/2B/2|\ "D"A/2F/2D/2F/2 A/2F/2D/2F/2|"E7"GE "A7"EF/2G/2| "D"A/2F/2D/2F/2 A/2F/2D/2F/2|"D"Ad "G"dg|"D/a"f/2a/2f/2d/2 "A7"e/2g/2e/2 c/2|\ "D"ed d:| P:B d/2e/2|"D"ff/2d/2 f/2a/2g/2f/2|"A7"ee/2c/2 e/2g/2f/2e/2|\ "D"ff/2d/2 f/2a/2g/2f/2|"E7""G"e/2d/2c/2B/2 "A7""A"Ad/2e/2| "D""Bm"f/2d/2f/2d/2 f/2a/2g/2f/2|"Em"e/2c/2e/2c/2 "A7"e/2g/2f/2e/2|\ "D"f/2a/2f/2d/2 "A7"e/2g/2e/2c/2|"D"ed d:| X: 26 T:Cuckolds all a row (G) R:jig M:6/8 L:1/8 Q:110 W:Come bachelors and married men, and listen to my song W:And I will W:shew you plainly then, the injury and wrong W:That constantly I do W:sustain through my unhappy life W:The which does put me to great pain, W:by my unquiet wife K:G "D"a2a "D"a2g|"D"f2g "D"a2d|"Em"e2e "D"f>ef|1 "Em"g6 :|2 "Em"g3-"Em"g2B| | "Am"cdc "Em"BAB|"D"A2A "D"fef|"G"g2d "D"ed2|"Em"B3 "Em"G>AB|"Am"c>dc "Em "B>AB|"D"A2A "D"f>ef|"G"g2d "D"ed2|"Em"B3 "Em"G3|| X: 27 T:Gathering Peascods (G) H:Peascods were, of course, peapods. In his "Observations on the Popular H:Antiquities of Great Britain" (1849), John Brand discusses "Peascod H:wooing" and an old tradition of divining love affairs from pea pods. N:The first four bars of the tune are identical to "All in a Garden N:Green". M:C| L:1/8 Q:180 K:G "G"d2dd|"G"B>cdd|"C"edcB|"D"A3B|"D"AGGF|1 "G"G4:|2 "G"G3G|| "D"FDFG|"D"A2BA|"G"G/2A/2 BAG|"D"F3F|"A"ED E>D|1 "D"D3G:|2 "D"D3d|| "G"BGG A/2B/2|"C"c3c|"G"BGG A/2B/2|"C"c3c|"G"BGG A/2B/2|"C"c>de d/2c/2|" G"B c/2B/2 "D"A>G |1 "G"G3d:|2 "G"G4|| X: 28 T:Lady Harriot Hope R:reel S:From White's Tin Whistle Tunebook M:4/4 L:1/8 K:D "D" DFAd "D" A2 GF | "D" d2 fe/2d/2 "A" eEEF | "D" DFAd "D" A2 GF | "G" GE"A"AF "D"DD D2 :||! "G" dAde d/2e/2fed | "A" cAeA fAeA | "D" dAde d/2e/2fed | "G" Ad"A"c/2d/ 2 e "D" dd d2 |! "D" dAde d/2e/2fed |"A" edef gfef | "D" dBAG F2 dB | "G" AF"A"GE "D" DD D2 :|| X: 29 T:The Spanyard M:6/8 L:1/8 Q:100 R:jig K:DMix fdd dc/2d/2A|ddc/2d/2 e2A|fdf fe/2f/2d|fgf/2g/2 a3||! eee cB/2c/2A|fe/2f/2d g2a|bag a>2 gf/2e/2 | fed/2e/2 d3|| X: 30 T:Indian Queen M:4/4 L:1/8 Q:160 S:Playford O:Manuscript A:English K:D fg|a2 f2 d2 f2 | e4 A4| F2 A2 A2 f2| e4 e2 fg| a2 f2 d2 f2 |e4 A4|F2 A2 A2 f2 d6::cd| edcB A2 e2| f2 c2 d2 B2| fg a2 b2 ^g2| a6 ef| gfed c2 a2 | B2 g2 A2 fg| e2 d2 e2 c2| d6:| X: 31 T:Irish Jig M:6/8 L:1/8 Q:120 S:Playford O:Manuscript K:G E2 F GFG| AGA B2 e| E2 F GFG|AGA BGE| E2 F GFG|AGA B2 d|e2 B c2 A |B2 A BGE::e2 f gfe|dBd e2|Bee Bee| gfe fdB|e2 f gfe| dBd e2 f| gfe dBG| AGA B GE:| X: 32 T:Irish Jig M:6/8 L:1/8 Q:120 S:PLayford K:Em EF|G2 A BGE|BGE BGE| F2 G AFD |AFD AFD|G3 A3| Bee efg| dec BcA| GEE E2:: A| B3 BcA |BGE EFG| A3 ABG|AFD DEF| G3 A3|Bee efg |dec BcA| GEE E2:: X: 33 T:Irish Reel M:4/4 L:1/8 Q:210 S:Playford O:Manuscript K:F A2 G2|(3A2G2F2 A2 D2| D2 D2 A2 D2|G4 =B2 G2| d2 G2 =B2 G2|(3F2G2F2 A2 D2 |D2 D2 A2 D2 G2 A2 G2 F2 | E4 D2 G2::A2 ^c2 d2 e2|f4 e2 f2 |g4 e2 g2|f2 d2 e2 ^c2|A2 ^c2 d2 e2 |f4 f2 g2| a2 g2 f2 g2 |e4 d4:| % Output from ABC2Win Version 2.1 h on 7/14/98